All at once well met:

A Little Pretty Bonny Lass; Weepe No More, Thou Sorry Boy for 4 voices; Shoot, false love, I care not, madrigal for 5 voices; Now is the month of maying, madrigal for 5 voices; Four arms, two necks, one wreathing, madrigal for 3 voices; Harke all ye lovely saints above, madrigal for 5 voices; Since Robin Hood, madrigal for 3 voices; Though Philomela lost hir love, madrigal for 3 voices; O Wretched Man, madrigal; Weep, O mine Eyes (from Madrigals to four voyces); The Nightingale the organ of delight, madrigal for 3 voices; Come sirrah Jack, hoe, madrigal for 3 voices; Cruell, Behold My Heavie Ending, madrigal; Fair Phyllis I Saw Sitting All Alone; Sing wee and chaunt it, madrigal for 5 voices; On a faire morning, madrigal for 4 voices;Oft I have vowed how dearly I did love thee, madrigal (No. 20, The Second Set of Madrigals); Is love a boy?, madrigal for 4 voices; Say, Love if ever thou didst find, for 4 voices & lute (Third Book of Songs); All at once well met faire ladies, madrigal for 5 voices; Construe My Meaning; Lord when I thinke, madrigal for 3 voices; Cruell, wilt thou persever?, madrigal for 5 voices; Fine knacks for ladies, for 4 voices & lute (Second Book of Songs); Strike it up tabor, madrigal for 3 voices; I love, alas, I love thee, madrigal for 5 voices; Farewell, Dear Love; See, See the Shepheards' Queene for 5 voices (madrigal); Have I Found Her; Lady, Your Words Do Spite Me, madrigal; Were I a King; Come Again, Sweet Love Doth Now Invite; Tan ta ra ran tan tant, cryes Mars, madrigal for 3 voices; Why Should I Love?; This sweet and merry month of May, madrigal for 6 voices (SSATTB)