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Hojotoho
Katalogzettel
| Titel | Hojotoho |
| Titelzusatz |
from: The Valkyrie aus: Die Walküre |
| Spieldauer | 00:02:06 |
| Urheber/innen |
Wagner, Richard [Komponist/in]
[GND]
|
| Mitwirkende |
Bland, Elsa [Sopran]
[GND
]
Zonophone Record [Label] |
| Datum |
1908 |
| Schlagworte | Musik ; E-Musik ; Vokalmusik - Oper ; Publizierte und vervielfältigte Aufnahme |
|
20. Jahrhundert - Nullerjahre
|
|
| Typ | audio |
| Format |
SCS [Schallplatte, Schellack] |
| Nummern |
X 23339 X 23340 |
| Sprache |
Englisch |
| Signatur | Österreichische Mediathek, 2-24962_a_b01 |
| Medienart | Mp3-Audiodatei |
Information
Inhalt
Elsa Bland (b. 16. April 1880, Vienna; d. 27 September 1935, Vienna), soprano.
Elsa Bland was a member of the Vienna Court Opera between 1905 and 1908. Her stage roles included Sieglinde and Brünnhilde in Wagner’s The Valkyrie, Isolde in Wagner’s Tristan and Isolde, Aida in Verdi’s Aida and the Queen of Sheba in Karl Goldmarck’s The Queen of Sheba, among others.
Gustav Mahler was an admirer of her dramatic soprano, as he confided to Richard Strauss: “On the other hand, I am setting great store by a slim, young singer with a tremendously powerful voice and unfailingly reliable pitch, and I will start rehearsing with her immediately (i.e., Ms Bland).” (Gustav Mahler to Richard Strauss, from correspondence regarding the planned performance of Richard Strauss’ opera Salome at the Vienna Court Opera in 1905. The performance was eventually cancelled when it fell victim to the censors).
Elsa Bland was a member of the Vienna Court Opera between 1905 and 1908. Her stage roles included Sieglinde and Brünnhilde in Wagner’s The Valkyrie, Isolde in Wagner’s Tristan and Isolde, Aida in Verdi’s Aida and the Queen of Sheba in Karl Goldmarck’s The Queen of Sheba, among others.
Gustav Mahler was an admirer of her dramatic soprano, as he confided to Richard Strauss: “On the other hand, I am setting great store by a slim, young singer with a tremendously powerful voice and unfailingly reliable pitch, and I will start rehearsing with her immediately (i.e., Ms Bland).” (Gustav Mahler to Richard Strauss, from correspondence regarding the planned performance of Richard Strauss’ opera Salome at the Vienna Court Opera in 1905. The performance was eventually cancelled when it fell victim to the censors).
