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Klaviersonate Nr. 23 f-Moll op. 57 - 2. Teil
Katalogzettel
| Titel | Klaviersonate Nr. 23 f-Moll op. 57 - 2. Teil |
| Titelzusatz |
Appassionata Piano Sonata No. 23 |
| Spieldauer | 00:04:30 |
| Urheber/innen |
Beethoven, Ludwig van [Komponist/in]
[GND]
|
| Mitwirkende |
Schnabel, Artur [Klavier]
[GND
]
Electrola [Label] Electrola [Produzent] |
| Datum |
1933 |
| Ort |
Wien. Müllersches Gebäude [Ortsbezug]
|
| Schlagworte | Musik ; E-Musik ; Instrumentalmusik - Sonate, Sonatine ; Instrumente - Klavier ; Publizierte und vervielfältigte Aufnahme |
| Örtliche Einordnung |
Wien
|
|
19. Jahrhundert
|
|
| Typ | audio |
| Format |
SCS [Schallplatte, Schellack] |
| Nummern |
D.B. 2215 [Bestellnummer] 32-3687 [Katalognummer] 2B 6606 II □ [Matrizennummer] |
| Sprache |
Englisch |
| Signatur | Österreichische Mediathek, 2-35459_b_b01_k02 |
| Medienart | Mp3-Audiodatei |
Standort des ehemaligen "Müllerschen Gebäudes". Bild: CC BY-SA 3.0 AT. Österreichische Mediathek 2020
Information
Inhalt
Beethoven’s highly virtuosic Piano Sonata No. 23, known as the “Appassionata”, is a highlight among the composer’s works for keyboard. The piece is dedicated to Franz Brunsvik, brother of Beethoven’s lover Josephine Brunsvik, who lived at Rotenturmstrasse 691.
This recording is of a performance by Artur Schnabel in 1933. Schnabel was famous for staying very faithful to the original work, and for his extremely precise technique. This extract includes the transition between the main theme and the secondary theme, which is marked by rising sequences of chords and extreme dynamic changes.
Artur Schnabel (1882–1951) was the son of Jewish merchants. He lived in Vienna from 1884 to 1899, later moving to Berlin, and was celebrated as a pianist and composer during his lifetime. Schnabel was the first performer ever to commit all of Beethoven’s piano sonatas to shellac. His recordings were produced for His Master’s Voice (which later became known as HMV) between 1932 and 1935, and set benchmarks for piano recordings that still apply today. After Hitler assumed power, Schnabel fell victim to the Nazi regime and fled Germany, first to Britain and then to the United States. His recordings are recognised as important historical records in audio format, and are preserved at the Academy of Arts in Berlin.
(Anja Maurer)
This recording is of a performance by Artur Schnabel in 1933. Schnabel was famous for staying very faithful to the original work, and for his extremely precise technique. This extract includes the transition between the main theme and the secondary theme, which is marked by rising sequences of chords and extreme dynamic changes.
Artur Schnabel (1882–1951) was the son of Jewish merchants. He lived in Vienna from 1884 to 1899, later moving to Berlin, and was celebrated as a pianist and composer during his lifetime. Schnabel was the first performer ever to commit all of Beethoven’s piano sonatas to shellac. His recordings were produced for His Master’s Voice (which later became known as HMV) between 1932 and 1935, and set benchmarks for piano recordings that still apply today. After Hitler assumed power, Schnabel fell victim to the Nazi regime and fled Germany, first to Britain and then to the United States. His recordings are recognised as important historical records in audio format, and are preserved at the Academy of Arts in Berlin.
(Anja Maurer)
